alys.

Feb. 23rd, 2013 12:43 am
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Alys Flory (of Serell??)
late teens/early 20s??
noblewoman of Elyium
not a sorceress much to her chagrin

5'6 and a half
curly dark brown hair, long enough to reach the small of her back
blue eyes
seriously her hair is crazy curly
slim build, slightly top-heavy, boyish hips

as the eldest of three sisters, she's definitely not going to inherit anything (also to her great chagrin
seriously she'll tell you all about her chagrin
there's a lot of it)
basically an angry feminist
kind of rude but in a earnest way
fiercely independent, unhealthily thirsts for knowledge, both of which her father indulged and now look at her
direct, stubborn, pretty much guileless
not afraid to unleash her Opinions on people
confrontational and abrasive when people piss her off (see: firahal)
tsun tsun
dere dere
actually a very sweet, optimistic person
seriously
desperately afraid of losing her home and her family when her father dies
does not look forward to getting married
closet romantic

damiyr.

Feb. 22nd, 2013 10:15 pm
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Damiyr Shaharin
(Damiyr Qi'shaharin???)
early 20's
third son of the king
secret sorcerer (fire)

very tall - 6'1
broad shoulders, powerfully built
sandy blonde hair, tan skin
hazel eyes

father: sulaiman
mother: taamayr
brothers: madiq & samur

restless, prone to fits of wanderlust
kind of a jerk, but mostly in a standoffish way
keeps most people at a distance
crouching grouch, hidden woobie
reserved, slow to warm to people, actual sarcastic sassypants
was always expected to (and eventually did) become a soldier, in order to best serve his eldest brother
too bad military life didn't really agree with him
struggles with his purpose in life / what he actually wants to do, because being useful is too abstract to be a personal goal
is actually unexpectedly competent with soldiering: swordfighting, archery, horseback riding, battle strategies and tactics, etc.
his mother urged him to keep his sorcery a secret, to the point where even his father and brothers don't know the truth
as a result, he hasn't used his powers in years except in little secret practiced bursts, and his technique is unpolished at best, wildly destructive at worst
loves nothing more than to climb on the back of a horse and run tantivy into the desert as if it was swallowing him whole

ailin.

Feb. 14th, 2013 10:58 pm
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Ailin.
full name Ailin-liya ????????? something
18 years old
she's a princess, bitch
familiar: Rika, her phoenix

5'1
dark red hair, straight, long enough to reach the small of her back
light brown eyes
petite build, slightly pear-shaped
small hands and feet

has two younger sisters, aged 15 and 12
her best friend is her cousin whoiwillnamelater, but they were practically attached at the hip when they were children
has a moderately-sized extended family, most of whom live in the castle or nearby
her family is very close-knit and supportive
as the eldest daughter, she (and consequently, the man she marries) will inherit her father's lands

tends to be more tomboyish, though years of princessing have taught her how to act like a Lady
even-tempered, straight-forward, self-confident
used to being treated well and with respect. never wanted for much of anything.
spoiled, but not spoiled rotten
stubborn, thoughtful, curious
favorite hobbies: horse riding, singing, music
rarely raises her voice, though she's fierce when she gets particularly attached to something. not a big fan of getting into fights, though she'll stand her ground in a confrontation.
kind of a crier
has plenty of experience with flirting, though she's mostly a tease. has no experience with sex or anything farther than kissing (and light petting, but don't tell her dad)

luce.

Feb. 14th, 2013 09:17 pm
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Luce.
full name Lucile Julian Havelock
25 years old
fleet commander of the Havelock Co. (shipping & transportation)

5'11
average body type, fairly fit
medium brown hair, shoulder length & parted in the middle, usually tied into a small ponytail at the nape of his neck. his bangs tend to fall into his face often.
green, slightly canted eyes
tan
a few scars, most notably the one on his left shoulder, just under the end of his collarbone, where he was shot (that's a good story)

open & expressive, uses a lot of hand gestures
dresses very crisply, but slightly undone
very relaxed with his manners, though it's not for lack of knowing them (watch him properly order a bottle of wine)
smiles & laughs a lot, to the point that most people have never seem him angry
tends towards candor, doesn't shame or blush easily
he's def a glass half full kind of guy

openly bisexual
has had relationships with both men and women in the past, though not recently
yep, there was a girl who broke his heart when he was younger
has pretty much zero hangups about intimacy and sex, and enjoys the experiences for the sake of spending time with the people he likes
it doesn't take very much to get him into bed tbh

proficient with both sword and pistol, though he tends to prefer the directness of a gun
the man can hold his liquor. favors red wine.
doesn't spend his money lavishly, in spite of his family's wealth. that doesn't stop him from always being the first one to reach for his wallet, though.
eats a lot, not always very healthily

three.

Feb. 14th, 2013 08:25 pm
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swear (sihai&shakir)--
Bitch. She doesn't know the word, doesn't know what it means, but he can tell by the way she stiffens, just slightly, at his side that she'd inferred enough from the tone; if it weren't for her hand on his arm, squeezing, then Shakir is positive he would've punched the adviser in his smiling face and damned all the consequences.

inconspicuous (jas&khalia)--
She's like a fungus, Jas decides somewhere around the four month mark of their meeting; she's obnoxious and effusive and so prolific she's managed to take over every aspect of his life, invading his wardrobe and invading his thoughts and invading everything in between and steamrolling his every attempt to keep her out, until he finally looks up and realizes that he's wearing the jacket she forced him to buy and he smells very vaguely of flowers and her shampoo and it's been at least a week since he last thought of home, or at least the home he had before the one in her arms.

He doesn't know how to get rid of her. He doesn't know if he wants to.

dinner (jas&khalia)--
One evening, she sets up a picnic dinner out on the roof, where no one can find them, then lays her head on his shoulder as they watch the sun set and the stars rise.

When he asks why, she just huffs and tells him it's a date, of course, and he decides to shut up after that.

color (jas&khalia)--
"It's just hair," she'd said dismissively, after he'd run his hands through the blonde strands and asked why she was always dyeing it; now that she's shrieking about how her curling iron is stuck and she's going to burn all her hair off and why is he standing around doing nothing to help and why is he so useless, Jas is starting to think it's a lot more than just hair after all.
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return--
“We could run away together,” she whispers, as wistfully as she’s able, and he drags her more tightly into his embrace as her eyelashes press butterfly kisses against his chest and she says softly, quietly, laced with approaching sleep, “We could go back to the desert and build a house, and we could just be Sihai and Shakir, and no one would know…”

distance--
It is the tiniest of smiles, wan as the crescent moon, and he thinks that her distant beauty is suddenly much nearer.

tease--
Here? as her toes curl against the bare planes of his back, here? as he drags his tongue between her parted thighs, here? as she cries out in pleasure-laced frustration and twists her fingers in his hair so tightly that it hurts.

frown--
Even in sleep he is forever ill-tempered, she thinks, pressing a light kiss to his furrowed brow and yelping in surprise when he stirs and sweeps her back into his arms.

ocean--
It is a sea of people that fills the banquet hall, and Sihai’s fingertips in the palm of his hand underneath the table that anchor him.

connect--
It is here, where they are joined, where he is inside her and over her and everywhere around her and murmuring her name like a prayer, over and over, that she threads her fingers in his and lets herself be consumed.

daylight--
She can no longer count the number of times that she’s woken to the call of songbirds, the rising of the newborn sun, and the gentle press of Shakir’s lips against her forehead.

lead--
"Why do you need so many layers?" he laments, his fingers fumbling for the first time she can recall on the complex ties of her hanfu; she smiles wryly while she guides his hands, over and over until they no longer hesitate, and says, "To keep men like you from doing exactly this."

burn--
She was never prepared for the hot desert sun, he thinks, planting a kiss to the tip of her raw pink nose and trying not to laugh when she pouts.

chill--
It's unexpectedly cold at night, out in the wild desert, so cold that she wraps herself in her coat and her blankets and then his coat and his blankets and finally Shakir himself, cocooned in the circle of his arms, and she feels warmer than she's ever been in years.

envy--
She would make a beautiful bride, he thinks, watching her speak to Madahir at the head of the table, her head canted at just the angle that reminds him of last night, pale column of her throat exposed as she falls back on the bed; they would make a beautiful couple, he thinks next, knuckles bleeding white around the stem of his wine glass as he tells himself that he has never been jealous of his brother before.

share--
"She would've loved you," he says quietly, lifting their joined hands so he can watch the thread of their fingers, the paleness of her skin contrasted to his, "my mother."

call--
"It's still dark out," she protests, screwing her eyes stubbornly shut while he presses firm kisses to the exposed side of her neck, one hand traveling the curve of her hip; he chuckles softly when she squirms and adds, a little more emphatically, "Get out of bed or go back to sleep-- either way, leave me al-- Shakir."

bath--
"Are you sure you're not going to drown?" he asks, smiling so wickedly Sihai can't decide whether to smack the smirk off his face or kiss it instead; he solves the dilemma for her by pressing kisses to her wet cheek while she splashes him and shrieks, "I'm not going to drown in a bathtub!"

guitar--
Her fingers are delicate and purposeful on the strings of the instrument she plays, as foreign to him as the unfamiliar rhythm, as the outdated language of the lyrics she sings; he only recognizes half of the words and understands even less, but he cannot help but think her song is very sad.

rhythm--
"You're a-- you're such a--" she falters, struggling for the word; Shakir watches her with raised eyebrows until she finally settles on one of her own tongue, something harsh-sounding and rough and undoubtedly taboo, given the way she colors very faintly over her scowl. Later, he kisses her mouth and asks for sweeter words and delights in the rhythm of them, spoken so quickly that the sentences lose meaning but he understands all the same.

coronet--
They went to the market again, that day; she watched him shake hands with sellers, call out passers-by by name, laugh during the good parts of the children's excited stories, smile more genuinely on the sandy streets, in his plain clothes and with his unadorned hair, than she had ever seen him in the palace, surrounded by his people instead of officials and advisers, and she thinks to herself that he would've made a good king, if he'd been born first instead of second.

maps (i)--
He is a cartographer, mapping out the crests and dips of her body; he draws plains from the expanse of her stomach, rivers from the veins in her wrists, valleys in the hollows above her collarbone. He scales her breasts with his fingertips, tastes the ocean between her thighs; he commits the landscape of her body to his memory in lieu of paper and ink, and marks the compass rose with his lips upon the small of her back so that he never loses his way.

maps (ii)--
She is an explorer upon his shoreline, carving a path into the untamed wilderness of his heart; she discovers shadowy forests in the hitch of his breath, sees the light from his eyes filter in through the canopy of trees. She creates trails with her fingertips that crisscross the new world of his body, uncovers mysteries in the calloused palms of his hands and treasures where his skin meets hers; she raises her flag upon him only when they are alone, before the tide comes in with daylight and sweeps her back out to sea.
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Miss Havim is yelling at Jayden again. Cadence narrows her eyes, watching him lower his head; she's too far to hear what their teacher is saying, but Cadence can guess. It's always some variation on the same thing she berates all her students for, with cheerful blind eyes from the higher-ups in the Program.

If Cadence interferes now, it would only spell more punishments for the both of them. They've long passed the stage where solitary has any effect on them; Cadence can entertain herself fairly easily in her room, without the network, and Jayden needs technology too much as part of his training, so they can't take that from him.

Still, Cadence waits. The next day, when Miss Havim moves to sit, Cadence pulls her chair out from under her, so that she falls to the ground into a heap and the entire class bursts into muffled laughter.

Cadence isn't the only telekinetic, but the trick is her style, so that Miss Havim suspects her immediately.

"Cadence," she says, and Cadence can tell just by that one word that she is livid, though she's struggling to contain it. The class is still snickering, which she knows will piss Miss Havim off to no end, though she won't lower herself to telling them to stop.

"Yes, Miss Havim?" She doesn't glance at Jayden, lest he give something away; he was never as good at hiding his emotions as Cadence was.

"Were you practicing your talents on my chair?" It's a carefully worded trap; Cadence shakes her head, shrugging her shoulders casually.

"No, ma'am."

"Do you know how it suddenly moved, then?"

"Maybe it was farther back than you thought."

Miss Havim purses her lips, almost as if to smile, but it's the furthest thing from a smile Cadence has ever seen.

"Very well. Class!" With one last, venomous glance at Cadence, she turns towards the screen to begin their lesson.

Cadence only smiles.

one.

Feb. 14th, 2013 07:57 pm
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[personal profile] smithereens
candy (sihai&shakir)--
It's called puadai, some sort of Wuxian candy; Shakir still doesn't really understand what it's made of, though the shop owner explained it to him twice before sending him on his way. All he knows is that Sihai's face lights up when he brings it to her, and that it tastes sweet on its own, but even sweeter when it's on her tongue.

open (sihai&shakir)--
"More than anything else," she says, when he asks her if she misses her home. Later, very softly, it becomes, "But I think I would miss you more."

plethora (jas&khalia)--
She knows more about makeup and clothes than any person should, he finds out quickly enough, as well as the fastest way to disappear from parties with men on her arm. It takes a little longer for him to discover that she decorated half of the Trigham estate herself, and that she knows a surprising amount about the jewelry trade. By the time she starts debating supply chains with the city comptroller's son, Jas doesn't know why he's even surprised by anything she knows anymore.

swim (sihai&shakir)--
She insists that he turn around and cover his eyes while she strips, even after he very calmly reminds her that he's seen her naked before and quite recently; he makes up for it a few minutes later, when he drags her body towards him, laughing while she shrieks his name and splashes him with water.

waltz (jas&khalia)--
"I don't know how to dance," he hisses, scowling while she laughs and counts the rhythm in his ear, guiding him expertly across the dance floor; "Next time," she says, "maybe I'll let you lead," while he leans away and realizes with growing dismay that he actually wants there to be a next time.

freefall (jayden&cadence)--
She's not sure what it is about him that changes: his shoulders are still the same, slumped over while he sits in his squeaky computer chair; his hands are still the same, typing almost manically at his keyboard; his face is still the same, smoothed over when he finally falls asleep.

All she knows for sure is that there is something freshly attractive about the sum of his parts, that her gaze has begun to linger, that her heart has started to flutter, and that she's begun to think that she's the one who's changing instead.
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This is your home now too, he’d said to her, not long before he’d left for another lengthy campaign.

Ailin didn’t ask how long he would be gone, because she’s hoping it will be forever. She didn’t ask where he was going, because she doesn’t want to know, because it’s pointless to learn the name of a place that will soon fall, to wonder after the people who live there, who will leave their homes in the morning and not return.

If this is her home, then she wishes she could leave.

But it’s not, she tells herself rebelliously. Her home is in Renhua, with her family and friends, with everything she has ever known and loved.

It’s not here, with him, within the cage of his cavernous halls and grandiose rooms. She can’t help but think that everything here, from the lush couches to the polished stone floors to the watchful, vicious eyes of every dragon scroll on the walls, is fit for a king.

An emperor.

She finds family portraits while wandering the halls off of his suite, in a quiet, ponderous wing she assumes is meant for extended family. They all have the same inky black hair, she notices, and eyes that seem to leap out at her from the paint itself. They are all composed the same: formal, distant, regal.

There is one with a child that draws her attention, a young boy she guesses to be about nine or ten nestled between his parents, amber eyes intense. The same intense eyes are in the next portrait, the boy older but not yet fully grown, a red-gold dragon rampant curled around his body, and Ailin recognizes the familiar from near-reverent whispers in her father’s halls and her own half-lucid nightmares.

It’s Souza.

She steps back hastily, as if the man himself is standing before her instead of his likeness, and nearly jumps out of her skin when someone speaks from behind her.

“Is there something I can help you with, Princess?”

It’s one of his advisors, she finds when she whips around, an old man with a visible limp that she recalls being introduced to months ago. It takes her a moment to place his name.

“No, thank you, Master Goroji.”

But his eyes are kind, kinder than she remembers them being, kinder than she’s ever seen before in this lonely place.

“You found His Lordship,” he says, favoring his left leg as he limps forward, towards the portrait she’d been examining earlier. She doesn’t know what to say that isn’t deprecating, and so she finds herself unable to say any of it in front of this disarming old man.

“He’s sixteen here—this was painted when he gained his familiar,” he continues, tone wistful. “It was quite impressive, when he came back with this giant dragon in tow. He was gone for quite a while, you see, and I knew when he left that he had a plan—he’s always had a plan—but I didn’t think it would be this.”

He chuckles softly, and Ailin finds herself staring openly at Goroji, mouth ajar, because the fond bent of his words and the image she conjures in her mind of teenage Souza, fierce and wild as he parades his massive dragon home, don’t seem to reconcile each other.

Before she can mask the awe in her voice, she asks, “How did he do it?”

“No one rightly knows,” Goroji says, with a light shrug of his shoulders. “He’s never said, though I imagine he went north, and followed the legends from there.”

She knows the legends; everyone knows the legends, the rumor of scorched bone high in the mountains, of thin air made thick by the smell of burnt flesh. If she hadn’t heard the ring of truth in Goroji’s words, in the words of so many others, she would’ve scarcely believed anyone could harness that sort of power.

“It seems natural, I suppose, that he would want only the most powerful of familiars,” she says, not hiding her disdain. “When you bring a dragon into battle, half your work is done for you.”

“He’s always been ambitious, yes,” Goroji says, and there is something akin to pity in his gaze, something that makes Ailin feel inexplicably childish and small. “But I don’t think anything less would’ve suited him. He’s much like his dragon, in many ways.”

“Murderous?”

Goroji chuckles again, then sighs in a long-suffering way. “Princess, have you ever met a dragon?”

She shakes her head no. Before she’d been married off to Souza, she’d never even met anybody who had one as a familiar, let alone found one that was unattached; even since then, she had yet to see her husband’s familiar in any shape.

“They are dangerous, yes,” he says. “Very proud and withdrawn, but they are animals just like any other. Just like your phoenix.”

She thinks of Rika, of how her fussiness drives her crazy, of how little she complained when Ailin worked them both into exhaustion in the aftermath of that first, terrifying battle with Souza’s forces. Without Rika’s power, many more soldiers would’ve died that day, and for that Ailin is eternally grateful.

Her relationship with Rika is more like a partnership, just like everyone else; she cannot imagine Souza’s to be the same.

To her silence, Goroji only turns towards the portrait and says, “A few days after this was painted, his father died in battle.” He pats his stiff leg, his face turned away. “That’s also where I got this.”

There’s something about the gentle cadence of his voice that makes her glance at the portrait she’d examined first, the young Souza ensconced between his mother and father. His parents’ features exist in the shape of his face, the slant of his eyes and the set of his mouth, a legacy she can’t imagine being extinguished so soon.

“His mother?” she finds herself asking, braced for the inevitable disillusionment.

“Illness, about a year later. Though we all knew it was grief.”

She wonders what it must be like, to lose the comfort of both parents, and finds nothing but heartbreak. She wonders what his mother must’ve been like, to love a man like his father so wholeheartedly. She wonders, irrationally, if she could’ve saved them, had she been in the right place at the right time.

She wonders if things would’ve been different.

Souza’s eyes don’t answer her.

“Thank you,” she says quietly, tipping her chin down. “For your help.”

Goroji smiles beatifically, bowing his head deeply in a way that settles over her like a weight, and starts to hobble away. “You’re welcome, Princess.”
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That man. That’s how they refer to him in conversation, as if the mere mention of his name is a curse.

That man is coming. She hears them whisper it in the halls, in hollowed, dark corners and behind closed doors, in long meetings with men of war and over detailed maps of her father’s land, troops marked with faceless clay figures. They never say it where they think she can hear, until the day her father puts his hands on her shoulders and tells her of battle, sadness in his eyes and in the gentle kiss he presses to her forehead.

Her father is a man of peace, she knows. She is a child of peace, of halcyon summer nights spent in the garden behind the palace, fireflies swimming around her outstretched fingertips, of cold winter days bundled in front of the fire as her mother sang stories in a foreign language, of years of innocence that would soon taint antebellum.

That first battle is a brutal stalemate, and she knows because she spends hours blurred into days healing the wounded, until she is too exhausted to cry, until all she sees when she closes her eyes is blood and brokenness. She sees their faces too, as familiar to her as her family’s, men she’s known her entire life until they are eclipsed.

A messenger comes, though she doesn’t remember exactly when, and her father rides off in the morning to meet with that man, squeezing her shaking hands with his own before he goes. He comes back with the setting of the sun, and announces peace—and marriage.

The cost is a vassal state. The cost is her hand, as a prize of war.

You will be safe, her father tells her. He is strong. What her father doesn’t say is that he is too strong, stronger than their decaying walls and untested soldiers, strong enough to sweep the entire continent into his closing fist. That is whispered even more quietly in the dark corners of their palace, theirs no longer.

And as the servants slide her wedding kimono over her shoulders, as they twist and pile her hair atop her head and fuss over her makeup, she can only stare at the phantom-blood on her hands and think of that man who will become her husband, and how he has swept her into his closing fist as well.

She must still be too exhausted to cry.

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